1991 - Yes - Union !!

While Anderson, Bruford, Wakeman & Howe went their own way, Yes were working on their follow-up to "Big Generator". The band had been shopping around for a new singer in case Anderson would not be involved. They worked with ex-Supertramp Roger Hodgson, and songwriter Billy Sherwood of World Trade. Hodgson enjoyed working with the group; but thought it unwise to attempt to pass off the music as Yes. Other names were being mentioned as possible replacements, most notably Steve Walsh of the band Kansas. However Walsh was almost immediately dropped from consideration as it was felt that his vocal styling would not mesh with the current sound that the band was trying to produce at the time.

Arista, ABWH's new label, encouraged ABWH to seek outside songwriters, and Trevor Rabin ultimately sent a demo. Predictably, Arista sensed the commercial possibility of a union of Yes and ABWH. This would lead to the end of Yes having new albums released by Atlantic Records after more than 20 years of their initial recording contract.

Throughout early 1991, phone calls were made, lawyers soothed, and agreements were struck, with Yes joining ABWH for the Union album. Each group did its own songs, with Jon Anderson singing on all of the vocal tracks, and Steve Howe contributing a trademark acoustic guitar solo. Chris Squire sang backing vocals on a few of the ABWH tracks (with Tony Levin doing all the bass on those songs). None of the songs on "Union" featured all eight members at once.

The collective work of both factions yield a tour de force. These fourteen songs far exceed anything that the individuals involved, solo or otherwise, have recorded since "90125". The record has something for everyone: arena-scale rockers that outperform anything on "Big Generator", complex arrangements that succeed where the first ABWH album failed and individual contributions that ooze with atmosphere.

Steve Howe's inspired guitar licks (including another acoustic solo piece, "Masquerade"), Bill Bruford's off-kilter drumming, the decision to allow Tony Levin's bass to fill the same space as Chris Squire once did, Trevor Rabin's dead-on hooks, and Jon Anderson's voice paired once again with Squire. "Union" really does represent the best of both worlds. Where "Big Generator" sounded mechanical, "Union" feels organic; where the ABWH experiment lacked direction, here it is focused like a high-powered laser. Each of the fourteen tracks is a miniature treasure for fans, but even so some moments rise to the top: "Lift Me Up", "Saving My Heart", "Miracle of Life", "Silent Talking", "I Would Have Waited Forever", "Shock to the System" and "Dangerous (Look in the Light of What You're Searching For)" belong with their best tracks from the '80s and '90s.

If Yes seemed to take its heritage lightly with "Drama", "Union" settles the score with fans. As a further treat, the entire lineup supported the album with a live tour.

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